Artifactuality on the DevlinPix logo

Our in-house designer Drew Zimmerman,  did a fantastic job on the logo design for DevlinPix.  Thanks, Drew! Christine Moh of Artifactuality was impressed enough to feature the design on her website.

Read the full article here!

"Our friend and independent film director, Paul Devlin, incorporated his documentary film company, DevlinPix, in the beginning of this year. Along with the event, he had his company’s new logo/symbol designed by a talented designer, Drew Zimmerman.

The number one reason why we liked this logo is because of its simplicity. The designer has boiled down the words “Devlin Pix” to its most simple form, while adding unique qualities to the individual letters D & P to make this symbol harmoniously represent the company’s core function.

The lower case of letters D & P just happened to be the upside-down form of each other. The designer saw and utilized this opportunity to create a symmetrical, visually balanced symbol. The ascender of the D & the descender of the P were strategically drawn, “sliced” and positioned so they subtly suggest film strips on a projector and/or reels of film.

The color chosen for the logo, in my opinion, is a true reflection of Paul’s personality–a peaceful cool bluish gray for a quiet, intelligent, cool guy.

This is a very nice, well crafted, classic, memorable logo for DevlinPix. Congratulations, Paul!"


Blast! Director Paul Devlin on the IRS’s battle with documentary filmmakers.

Read the full article here!

Last year at a summit meeting of the independent film community called “The Conversation,” Ira Deutchman was compelled to propose, “Filmmaking has never been a business…it’s a hobby.” Sentiments like this are not uncommon after the hardships filmmakers have faced in recent years, the multiple threats to our business models that accompanied both technological change and the global economic crisis. In fact, many filmmakers have been forced to re-evaluate the economic viability of their entire enterprises.

Soul-searching in tough times is important, but our community must be extremely careful with our language and avoid using words like “hobby.” Why? Because the IRS is listening! If you are deducting filmmaking expenses from other sources of income on your tax returns, then you must identify your filmmaking as a for profit business and not a hobby.

Documentary filmmakers have become especially vulnerable to the perception that they are engaged in a hobby rather than an activity for profit. Because development takes so long and revenue sources are so difficult to sustain, filmmakers often endure losses over many years. They persevere because they become so passionate about their subject matter and the need to spread their message to the world that generating a profit may not seem primary.

Unfortunately the unfair and incorrect perception that documentary filmmakers are not interested in profit has resulted in unsettling scrutiny of our industry by the U.S. Internal Revenue Service. In a case now in U.S Tax Court in Arizona, the IRS has been asked to demonstrate whether or not the primary purpose of documentary filmmaking in general is “to educate and to expose” and is thus “an activity not engaged in for profit.”

This may sound absurd, but it is very serious. If the IRS wins their case against Arizona filmmaker Lee Storey (Smile ’Til It Hurts: The Up With People Story), documentary filmmakers may no longer be permitted to deduct expenses associated with making their films from other sources of income. Furthermore, filmmakers who have already deducted these expenses may be faced with potentially ruinous audits.

Read the rest of the article at!

Paul got MARRIED!

Emily Callis Raabe and Paul Josiah Devlin were married Saturday at the home of the bride’s parents in Charlotte, Vt. James W. Murdoch, a friend of the couple who was granted a one-day permission by the Vermont Superior Court to serve as an acting Superior Court judge, officiated.

See the full announcement here!

BLAST! Theatrical run in Filmmaker Magazine

Filmmaker Magazine CoverIn a recent print issue of Filmmaker Magazine, Director Paul Devlin talked about the challenges facing an indie filmmaker pursuing a theatrical release. Paul discusses the often conflicting opinions and advice he received from friends, family and filmmakers alike:

"I discovered there's no shortage of conflicting opinions and emotions when it comes to whether or not a non-fiction feature filmmaker should try a theatrical release these days. I heard both "You're crazy. It's a big mistake. The model doesn't work anymore. Don't do it!" and "You can't stop now, before you've crossed the finish line. You have no choice. You must do it!""

Editor Scott Macaulay comments on the longest article ever published by Filmmaker "If you want to know what you're in for in terms of work, finances and emotions after you decide to self-release your film, you need to read this piece." More here.  You can read Paul's article in its entirety here. (pdf)

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